{"id":45706,"date":"2026-01-09T23:49:08","date_gmt":"2026-01-10T04:49:08","guid":{"rendered":"https:\/\/geekstronomy.com\/?p=45706"},"modified":"2026-01-09T23:49:08","modified_gmt":"2026-01-10T04:49:08","slug":"soundwaves-the-original-motion-picture-soundtrack-for-primate-is-available-now","status":"publish","type":"post","link":"https:\/\/geekstronomy.com\/?p=45706","title":{"rendered":"Soundwaves: The Original Motion Picture Soundtrack for Primate is Available Now"},"content":{"rendered":"

Lakeshore Records is releasing \"\"<\/a>Primate\u2014Music from the Motion Picture digitally today, January 9 featuring music by Emmy Award-winning composer Adrian Johnston (Shackleton). Johnston\u2019s analog synth-based score incorporates manipulated sounds from found objects that vividly portray the characters\u2019 themes and shifting moods of the horror thriller. The Paramount Pictures film from director Johannes Roberts and written by Johannes Roberts and Ernest Riera, released today in theaters.<\/p>\n

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In Primate, a group of friends\u2019 tropical vacation turns into a terrifying, primal tale of horror and survival.<\/p>\n

Notes Johnston: \u201cSynths were the key ingredient of the score. Filter-sweeping and arpeggiating analog synths flavor the opening section of the film as the principal characters arrive on the island paradise to the retro sound of Synthwave.<\/p>\n

Interweaving through all this were the sounds from a specially created rack of found percussion, ironwork, pipes, corrugated metal, and detuned beer kegs which were appropriately hit, bowed, or scraped. Piano and organ also feature prominently, particularly at key dramatic moments to achieve almost operatic Grand Guignol climaxes.<\/p>\n

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But on the whole, we wanted the synths to do the work, avoiding the dissonant string textural palette which is so often a part of the horror score vocabulary.\u201d<\/p>\n

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Purchase\/ Stream: https:\/\/orcd.co\/primate<\/a><\/p>\n

 <\/p>\n

Track List<\/p>\n

    \n
  1. Hydrophobia<\/li>\n
  2. Primate Theme – Main Title<\/li>\n
  3. Home To Hawaii<\/li>\n
  4. Ben Miss Lucy<\/li>\n
  5. The Pool<\/li>\n
  6. You Scared Me, Ben<\/li>\n
  7. How Did Ben Get Out?<\/li>\n
  8. Tie Him Up<\/li>\n
  9. What\u2019s Wrong, Ben?<\/li>\n
  10. First Bite<\/li>\n
  11. Over The Edge<\/li>\n
  12. We Need To Get The Float<\/li>\n
  13. It\u2019s Not Ben Anymore<\/li>\n
  14. Back To The House<\/li>\n
  15. Bad Lucy<\/li>\n
  16. Tug Of War<\/li>\n
  17. Hot Guys Plane<\/li>\n
  18. Double Kill<\/li>\n
  19. Run Hannah<\/li>\n
  20. Car Kill<\/li>\n
  21. Shard Of Glass<\/li>\n
  22. Sisters Fight Back<\/li>\n
  23. Final Showdown<\/li>\n
  24. Back From The Dead<\/li>\n
  25. Primate End Credits<\/li>\n<\/ol>\n

     <\/p>\n

     <\/p>\n

    ABOUT ADRIAN JOHNSTON<\/p>\n

    Adrian Johnston was born in the north of England and spent his formative years playing piano, ukulele, drums, and percussion with local orchestras and bands. While studying English Literature at Edinburgh University, he drummed for an early formation of Mike Scott\u2019s The Waterboys and was inspired to write and perform a live score to Fritz Lang\u2019s Metropolis. He would go on to play new live scores for silent movies at film festivals and cinematheques throughout Europe, developing a unique multi-instrumental, one-man-band approach. He wrote the first live score for Frank Borzage\u2019s rediscovered Lucky Star, which he subsequently played at the Telluride Film Festival and in Washington, Philadelphia, and Los Angeles.<\/p>\n

     <\/p>\n

    During the same period, he co-founded an independent touring theatre company, The Shadow Syndicate, for whom he wrote music and occasionally acted, memorably as Renfield the fly-eating madman in The Last Days of the Nosferatu. With the director of that show, Jon Pope, he collaborated on stage adaptations of more Gothic works, including Frankenstein, Dracula, Dr Jekyll and Mr Hyde, Clive Barker\u2019s Books of Blood and a version of Henry James\u2019s The Aspern Papers with Moira Shearer.<\/p>\n

     <\/p>\n

    Primate is his 35th score for a feature film, following the Martin Scorsese-presented documentary Made in England: The Films of Powell and Pressburger. Earlier horror scores include the Roger Corman-produced The Suicide Club; Billy O\u2019Brien\u2019s Isolation and I Am Not a Serial Killer; and Johannes Roberts\u2019 The Strangers: Prey at Night. His extensive television credits include the ongoing HBO Max limited-drama series C. B. Strike.<\/p>\n

    Working from a deconsecrated chapel in the English countryside, he has won an Emmy award, a BAFTA award, and three Royal Television Society awards.<\/p>\n

     <\/p>\n

    ABOUT LAKESHORE RECORDS<\/p>\n

    Lakeshore Records is a GRAMMY-winning record label, and the soundtrack arm of the Cutting Edge Group.  Lakeshore Records is the global independent leader in top line soundtrack album releases, including such popular, critically acclaimed and classic soundtracks as Bridgerton, Stranger Things, Wednesday, Fallout, John Wick, Whiplash, Scott Pilgrim Takes Off, Drive, Cyberpunk 2077 \/ Edgerunners, Star Trek: Picard, Bojack Horseman, The Walking Dead, Napoleon Dynamite, Red Dead Redemption 2, the Grammy-winning Assassin\u2019s Creed Valhalla: Dawn of Ragnarok, the Academy Award nominated Lady Bird and Academy Award winners Moonlight, Little Miss Sunshine, American Factory, If Beale Street Could Talk, The Hurt Locker and many, many more.<\/p>\n

     <\/p>\n

    For more information, contact: www.lakeshorerecords.com<\/a><\/p>\n

    Read Lakeshore\u2019s blog Soundtracks, Scores And More here: https:\/\/soundtracksscoresandmore.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

    Lakeshore Records is releasing Primate\u2014Music from the Motion Picture digitally today, January 9 featuring music by Emmy Award-winning composer Adrian Johnston (Shackleton). Johnston\u2019s analog synth-based score incorporates manipulated sounds from found objects that vividly portray the characters\u2019 themes and shifting … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[10],"tags":[13213,11381,8554,12728,5642,13212],"class_list":["post-45706","post","type-post","status-publish","format-standard","hentry","category-soundwaves","tag-adrian-johnston","tag-horror-film","tag-johannes-roberts","tag-lakeshore","tag-lakeshore-records","tag-primate"],"_links":{"self":[{"href":"https:\/\/geekstronomy.com\/index.php?rest_route=\/wp\/v2\/posts\/45706","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/geekstronomy.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/geekstronomy.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/geekstronomy.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/geekstronomy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=45706"}],"version-history":[{"count":1,"href":"https:\/\/geekstronomy.com\/index.php?rest_route=\/wp\/v2\/posts\/45706\/revisions"}],"predecessor-version":[{"id":45708,"href":"https:\/\/geekstronomy.com\/index.php?rest_route=\/wp\/v2\/posts\/45706\/revisions\/45708"}],"wp:attachment":[{"href":"https:\/\/geekstronomy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=45706"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/geekstronomy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=45706"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/geekstronomy.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=45706"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}