Lakeshore Records has released 
Stranger Things 5 Original Score from the Netflix Series digitally, featuring music by two-time Grammy®-nominated and Emmy®-winning composers Kyle Dixon and Michael Stein. The 92-track collection includes the score to Season 5 Volume 1 and Volume 2 as well as the music from the finale. Their music has been an integral component of the series from the first season when it set a perfectly vintage and sinister tone. Each season Dixon and Stein’s music has evolved with the show reflecting a deep connection with the lives of the characters and the ever more intense storylines.
Season 5 is set in the fall of 1987. Hawkins is scarred by the opening of the Rifts, and our heroes are united by a single goal: find and kill Vecna. But he has vanished — his whereabouts and plans unknown. Complicating their mission, the government has placed the town under military quarantine and intensified its hunt for Eleven, forcing her back into hiding. As the anniversary of Will’s disappearance approaches, so does a heavy, familiar dread. The final battle is looming — and with it, a darkness more powerful and more deadly than anything they’ve faced before. To end this nightmare, they’ll need everyone — the full party — standing together, one last time.
Created by The Duffer Brothers, Stranger Things is produced by Upside Down Pictures & 21 Laps Entertainment with The Duffer Brothers serving as executive producers, alongside Shawn Levy of 21 Laps Entertainment and Dan Cohen.
Streaming Smart Link: https://orcd.co/ST5
Track List:
Vol. 1:
- Holly The Heroic
- Starr
- Double How
- Like I Could Fly
- WSQK
- We’re Friends, Good Friends
- Preppers
- With a Second to Spare
- 8 Hours
- Running to Lucas
- Even Comes with a View
- Mr. What’s It?
- Will The Wizard
- Mac-Z
- Andy and his Goons
- Eventually They’ll Get Bored
- Barely Missed The Jugular
- Too Many Names
- Miller
- Humvees
- Another Crawl
- Like a Sorcerer
- Smoke Em if You Got Em
- Keep Your Trap Shut
- Wolfpack
- Psychic Interrogation
- Gooey Creamy Core
- D.O.E.
- Safety Lock
- Engage
- KK-GO
- The Wall
- Unrecognizable Carcass
- Psionic Blast
- Heavens to Betsy
- pale brown mist
- Situation: Not Great
- Mist Engulfs the Lab
- Red Lightning Scorches the Sky
- Isolation Tank
- Nosebleed
- Camazotz Woods
- Super Shredder
- Red Portal Opens
- Sisters
- Never Forget
- End Credits
Vol. 2:
- Don’t Be a Stubborn Punk Ass Like You?
- Hawkins Hitmakers
- Hide in the Light
- Karen’s Back
- You Die, I Die
- Chaotic Good, Chaotic Bad
- Just Us and the Crickets
- Life Has Been So Unfair To You
- Map to a Secret Location
- Telemetry Tracker
- He’s Still Human
- Operation Beanstalk
- Move Worlds
- Zone G1
- Dead Wrong
- Scorched Sky
- The Tunnels
- The Abyss
- Turnbow Trap
- November 6th 1983
- The Order of the Black Hand
- Shield Generator
- Just a Memory
- 50,000 Watts
- Meet me at the X
- Memory Go Round
- Real Life Honest To God Sorcerer
- Secret Government Program
- Seeing in Technicolor
- Evil Planet Descending
- Shower of Black Blood
- Fourth & Final Gate
- Hiding in the Sky
- Darkness Spread Around the World
- Afraid To Look For You
- A Love Supreme
- She Has Corrupted Your Mind
- Exotic Matter
- Vessels
- Darkside Of The Wall
- Siege in Dimension X
- I Don’t Like Girls
- Make Sure This Never Happens Again
- You are the Curse
- New Numbers
- Three Waterfalls
- What’s on the other side of the wall?
- I Need You to Believe in Me
ABOUT STRANGER THINGS SEASON 5:
The fall of 1987. Hawkins is scarred by the opening of the Rifts, and our heroes are united by a single goal: find and kill Vecna. But he has vanished — his whereabouts and plans unknown. Complicating their mission, the government has placed the town under military quarantine and intensified its hunt for Eleven, forcing her back into hiding. As the anniversary of Will’s disappearance approaches, so does a heavy, familiar dread. The final battle is looming — and with it, a darkness more powerful and more deadly than anything they’ve faced before. To end this nightmare, they’ll need everyone — the full party — standing together, one last time.
Volume 1 and Volume 2 are now on Netflix. The Finale released on December 31, 2025 @ 5pm PT
Created by The Duffer Brothers, STRANGER THINGS is produced by Upside Down Pictures & 21 Laps Entertainment with The Duffer Brothers serving as executive producers, alongside Shawn Levy of 21 Laps Entertainment and Dan Cohen.
The cast includes Winona Ryder (Joyce Byers), David Harbour (Jim Hopper), Millie Bobby Brown (Eleven), Finn Wolfhard (Mike Wheeler), Gaten Matarazzo (Dustin Henderson), Caleb McLaughlin (Lucas Sinclair), Noah Schnapp (Will Byers), Sadie Sink (Max Mayfield), Natalia Dyer (Nancy Wheeler), Charlie Heaton (Jonathan Byers), Joe Keery (Steve Harrington), Maya Hawke (Robin Buckley), Priah Ferguson (Erica Sinclair), Brett Gelman (Murray), Jamie Campbell Bower (Vecna), Cara Buono (Karen Wheeler), Amybeth McNulty (Vickie), Nell Fisher (Holly Wheeler), Jake Connelly (Derek Turnbow), Alex Breaux (Lt. Akers), and Linda Hamilton (Dr. Kay).
ABOUT STRANGER THINGS:
A love letter to the ‘80s classic genre films that captivated a generation, Stranger Things is a thrilling drama set in the seemingly normal Midwestern town of Hawkins, Indiana. After a boy vanishes into thin air, his close-knit group of friends and family search for answers and are pulled into a high-stakes and deadly series of events. Beneath the surface of their ordinary town lurks an extraordinary supernatural mystery, along with top-secret government experiments and a dangerous gateway that connects our world to a powerful yet sinister realm. Friendships will be tested and lives will be altered as what they discover will change Hawkins and possibly the world — forever.
Created by The Duffer Brothers, Stranger Things debuted in 2016 and quickly became one of Netflix’s most popular television series ever, with its fourth season alone amassing over 140.7M views globally. Rooted in ‘80s nostalgia, it boosted Kate Bush’s track “Running Up That Hill” into the Billboard Hot 100 chart for the first time in its 38-year history. The series has also garnered over 70 awards worldwide including Emmys®and the Screen Actors Guild Award for Outstanding Performance by an Ensemble in a Drama Series, and has been nominated for over 230 awards. The beloved franchise offers fans various ways to engage with the cultural phenomenon year-round, including: the Olivier and Tony-award winning stage play, Stranger Things: The First Shadow; a collection of books takes fans deeper into the story; the touring Stranger Things: The Experience which recently expanded to Brazil and Australia; Stranger Things: Escape the Dark; a brand new immersive experience set to open at Netflix House later this year; Stranger Things: Tales From ‘85, an animated series that will take fans back to Hawkins in 2026; fans celebrate November 6 — the day Will Byers went missing — as ‘Stranger Things Day;’ and they can follow@StrangerThings.Things for fun ways to bring the world into their everyday lives.
ABOUT KYLE DIXON AND MICHAEL STEIN
In the annals of film and television, certain musical themes manage to transcend the moving image. From the iconic whistle introducing Morricone’s The Good, the Bad and the Ugly theme to Tangerine Dream’s “Love On A Real Train,” memorable scores have the uncanny ability to sum up an epoch, an entire aesthetic. The prolific Texan musicians Kyle Dixon & Michael Stein are responsible for a body of work that’s synonymous with the fictional town of Hawkins, Indiana, the supernatural everytown at the center of the Netflix hit Stranger Things. But as the small town becomes the unlikely site for a supernatural battle within the hit series, Dixon and Stein’s soundscapes, too, have expanded in lockstep. In the meantime, Stein and Dixon compose music for feature films, documentary series and large-scale installations and play in the band S U R V I V E. Working in the lineage of predecessors like John Carpenter and contemporary peers like Oneohtrix Point Never, Kyle Dixon & Michael Stein use a lifelong obsession with synthesizers and electronic music as a vehicle for larger-than-life visions.
While Dixon & Stein came to prominence composing music for a series that has become a cultural touchstone, Stranger Things, imagery and setting have always been central to the duo’s practice. In 2009, alongside Mark Donica and Adam Jones, they formed the live synthesizer band S U R V I V E. Leading up to the formation of the quartet, Dixon and Stein experimented with field recordings, venturing down tunnels and ascending water towers around Austin, Texas, hauling battery-powered modular setups and field recording equipment out to the sorts of places the Stranger Things kids might explore on their bicycles. As opposed to the laptop-based performances common in live electronic music at the time, S U R V I V E hauled a studio’s worth of synthesizers and amplifiers into dive bars for legendary live performances, achieving the ability to fill the room with crushing sound. Whether they knew it or not, with S U R V I V E, Dixon and Stein laid the groundwork for their future as one of the pre-eminent scoring teams of our time. Rather than speaking in musical terms, they’d describe their instrumental synth music with visual cues-a helicopter soaring over a waterfall, a high-speed chase down darkened Los Angeles alleys.
When The Duffer Brothers found the band and tapped Dixon and Stein for work on Stranger Things, the duo rolled their sleeves up, taking on a workload typically handled by a fleet of composers and assistants. As the show gradually transformed from ’80s sci-fi period piece to an expansive supernatural epic, Stein and Dixon rose to the occasion. While their music for early seasons focused on the timeless sound of ’80s analog synthesizers, they’d soon harness melodies and atmospherics befitting Eleven and Mike’s interdimensional struggle. Music is a main character in Stranger Things, with Dixon and Stein’s soundtrack weaving in and out of triumphant, period-appropriate songs like Kate Bush’s “Running Up That Hill.” That song topped the charts after its pivotal use in season four. Similarly, the duo’s tireless work on Stranger Things catapulted them from underground synth heroes to key composers for modern film and television. Stein and Dixon won an Emmy for Outstanding Original Main Title Theme Music for their work on the show, in addition to nominations for multiple Grammys and ASCAP awards.
For recent seasons of Stranger Things, the duo has worked at a daunting pace, crafting the equivalent of a feature film score every two weeks. Somehow, they’ve also found time to work on multiple feature films in recent years. For Joaquin del Paso’s 2021 independent psychological thriller The Hole In The Fence, Stein and Dixon paid homage to Tomita’s epic synthesizer compositions as well as the pioneering electronic experiments of Oscar Sala. Their score received a Hollywood Music In Media Awards nomination for Best Independent Score, while the film itself premiered at Venice Film Festival and took home best film honors at the Cairo Film Festival. They also composed music for Meow Wolf’s massive Denver site. The multimedia installation features ab unnersuve zone scored by the duo, who were tasked with conceiving a simple, Close Encounters-style melody that saves a fictional world. Over the pandemic, Dixon and Stein managed to collaborate remotely with musicians and multiple choirs, even integrating the mysterious and singular sounds of a Bulgarian Women’s Choir into their Meow Wolf score. The duo also composed the score for the 2021 horror-tinged thriller Retaliators, adding to a burgeoning catalog that has placed Stein and Dixon’s soundscapes behind VR-views of the cosmos (Spheres), scenes from ’90s Silicon Valley (Valley Of The Boom), and the journey of an 11-year-old transgender girl (Butterfly), to name just a few.
After this prolific run, Dixon and Stein are simultaneously going back to their roots and embracing new challenges. Currently working out of their respective, hardware-heavy studios in Los Angeles and Austin, they’ll soon reunite with their band, S U R V I V E, for a new album and worldwide touring. At heart, Stein and Dixon are avid students of electronic music history who constantly explore new methods of composition and scoring. While they have a clear facility for soundtracking the supernatural and otherworldly, Stein and Dixon have an equal interest in scoring quieter, decidedly human drama. It’s been a wild decade for Kyle Dixon & Michael Stein, who have gone from DIY tinkerers in Austin to introducing a whole new generation to synthesizers via the alchemical combination of sound and moving image. The images have been in their mind all along. Now we just get to watch them.
– IMDb mini biography by: Matthew McDermott
ABOUT LAKESHORE RECORDS
Lakeshore Records is a GRAMMY-winning record label, and the soundtrack arm of the Cutting Edge Group. Lakeshore Records is the global independent leader in top line soundtrack album releases, including such popular, critically acclaimed and classic soundtracks as Bridgerton, Stranger Things, Wednesday, Fallout, John Wick, Whiplash, Scott Pilgrim Takes Off, Drive, Cyberpunk 2077 / Edgerunners, Star Trek: Picard, Bojack Horseman, The Walking Dead, Napoleon Dynamite, Red Dead Redemption 2, the Grammy-winning Assassin’s Creed Valhalla: Dawn of Ragnarok, the Academy Award nominated Lady Bird and Academy Award winners Moonlight, Little Miss Sunshine, American Factory, If Beale Street Could Talk, The Hurt Locker and many, many more.
For more information, contact: www.lakeshorerecords.com
Read Lakeshore’s blog Soundtracks, Scores And More here: https://soundtracksscoresandmore.com
